Thursday, May 27, 2010

The Anne and Gilbert Kind of Romance

These last few days I've been hanging out with one of my best friends in the whole world who's up from California to visit me! And between all the glorious things we've been doing, like exploring Pike Place Market and seeing Fiddler On The Roof (with Harvey Fernstein!), we've been (re)watching Anne of Green Gables and Anne of Avonlea.

I love Prince Edward Island. I would love to live there. I would love to be Anne of Green Gables -- not only because she's witty and spunky, fiery-tongued and mistake/disaster-prone and imaginative -- but because she has Gilbert Blythe. Not Edward or Sam or even Gale, but this gentle and persistent (handsome) boy named Gilbert, who has loved her as long as he can remember.

Their kind of romance is the real kind of romance: the kind that grows out of long friendship. While Gilbert loves Anne (and Anne loves Gilbert, although she won't admit it for way too many hours of the movie), they are kindred spirits. They banter and study and challenge each other. They take long walks through the PEI countryside. They argue and forgive each other. Gilbert gives up the Avonlea school so Anne can stay at Green Gables. He never tells Anne that he loves her, but we know he does.

Isn't that the most romantic thing ever?

And while I would like to *cue fan girl squealing* for darling Gilbert Blythe, whom I will love forever, I'd also like to point out that Anne of Green Gables would still be a story without him. I would still weep when Matthew dies, laugh when Diana gets drunk, cringe when Anne loses her temper, roll my eyes when Rachel Lynde goes on a rampage, tear up when Marilla says she wouldn't trade Anne for a thousand boys, and thrill when Anne wins the Avery scholarship.

Gilbert is a beautiful subplot, but Anne shines and grows without him. That's how a story should be.

Monday, May 24, 2010

In Which "Team Gale vs. Team Peeta" Relates To Everything, Including Outlining.

Do you outline? Or wing it?

Kind of like Team Peeta vs. Team Gale, this is a defining question for writers. However, unlike my recent post about the coolness of Team Gale (and the uncoolness of Team Peeta), I'm not going to try to convert anyone to the coolness of outlining. But. I am going to say a few things about its coolness. Because it is cool.


This is me outlining FELL. Don't I look cool?


This is part of the outline for FELL. Besides the fact that it's backwards for some strange reason that only my computer camera can explain, doesn't it look cool? (You say it looks confusing? What?)

Anyway, outlining is cool for three cool reasons.

1. Outlining saves time

So you're winging your new dystopian fantasy WIP, and after about 10,000 words (and one week) you realize you've written yourself into a hole. Oops.

Say instead you're outlining your new dystopian fantasy WIP and after about two pages of outline (and two hours) you realize you've outlined yourself into that same hole. Oops.

Which is an easier fix? I can say from experience that the second option would be easier -- because a while ago, I tried to wing a dystopian version of FELL, and it failed. Big time. It's not dystopian anymore -- which I would have realized right away with an outline.

2. Outlining lets you work out all the plot problems ahead of time

Over the last week, I've been outlining FELL. I really do want to start the writing process (and just wing it), but I've worked out about five thousand plot problems in my outline: plot problems that are super easy to fix because I just cross out the outline and rework the idea in my head.

I can just imagine myself twenty thousand words into FELL and realizing something that I just realized this morning (that character A needs to figure something out in the first third of the book instead of the second third) and thinking, shoot, if I'd outlined, I would have seen this coming from a million miles away.

3. Outlining helps you get to know your characters better

I know this belies common belief: that outlining is a dry and uncreative process that doesn't let you get into your characters' heads and discover how they'd act/react.

Well, after slowly plugging through this outline, I can say that outlining has forced me to listen carefully to my characters. I could be racing through a chapter without a plan in my head, but instead I'm waiting for the story to reveal itself. I'm putting my fingers on its pulse and learning how it breathes, moves, unfolds, grows. I'm listening to Nickel Creek on repeat, staring at my notebook and fiddling with my pen and closing my eyes and feeling FELL come to life. In an outline.

***

If I've failed to convince you that outlining is cooler than winging it, that's okay. We all write differently. But I bet if I could interview Suzanne Collins right now, she'd say that she's carefully listened to Mockingjay reveal its true heart and true ending with her fingers on its pulse -- which throbs Katniss and Gale forever.

Thursday, May 20, 2010

Thursday, late morning, in a coffee shop

Outside, the weather's beating the streets 
with sun/rain/naughty wind 
that bluster inside the coffee shop 
whenever the door bangs open --
which is often.

We are a crowd of mostly MacBook people,
thick-heavy-book people,
Moleskin notebook people,
latte and macchiato people,
coffee shop people

who refuge here,
at big round communal tables,
from springy weather,
busy city outside,
from 9-5

because there's no 9-5 here,
just weird modern art,
the slurp and hiss of the latte machine,
the chatter of those students 
and the clatter of keyboards,
and books of poetry, politics, and

lots works in progress
in notebooks and in hearts,

and three dollar cups of coffee 
and slow mornings sipping them,
sipping big ideas and dreams 
as the wind skitters in the door.

Tuesday, May 18, 2010

Teaser Tuesday

So yes, FELL is in the middle of some tumultuous rewrites, but here's a little piece I don't think I've shared yet. It's just about riding the bus.

***

Seattle skyline at night -- by me!

*** 

I like to think that Metro buses are moving museums. They’re covered with ads for Science Center exhibits, new iPods, local radio stations, and insurance companies and everything else twenty-first century and modern. Inside, the seats are crackly plastic-leather, halfway between mint green and dark green. The floors, scuffed and grimy from thousands of homeless feet, rich feet, busy feet, tourist feet, and angsty-teenager feet, are invisible during peak hours as packs of people squish into the aisles and steam up the windows with all that breathing. The seventy five cents youth entrance fee is the cheapest price you’ll ever pay for a front-row screening of the hundreds of stories that sit on the bus every day.

That man with the leather jacket, slicked hair, and personal cologne-cloud, for example, who’s standing a few people away, probably dreams about starring in Grease at the Fifth Avenue Theater but actually works a graveyard shift at Safeway; but secretly he’s a tenor with undiscovered talent that might rock this world someday. The Asian woman sitting with her purse in her lap near the front of the bus might work at a Pike Place Market flower stand, pairing dahlias with lilies and baby’s breath in bouquets that no Pike Place visitor can resist

So many stories. So much exhaustion today, on this late express through downtown Ballard and up the hill toward the apartment, that the air in the bus feels heavy with the weight of the day. Heavier because Steinbeck is one story I can’t read. I scan faces like a nosy neighbor, wishing and wishing (and dreading?) that I’ll see his face, but he isn’t on the bus.

I wonder what he’s running away from. If he has no home, maybe no possessions except his clothes and that novel, does he have any money? What does he eat? And why am I half terrified that he’ll get on the bus at the next stop — and half desperate to see him?

***

Monday, May 17, 2010

On Roller coasters

Whoever said writing a book was all rainbows and rejoicing was delusional. Whoever said that? I don't know. But I sometimes get the impression from my own memories of writing rough drafts that writing isn't hard. See these quotes from my journal (junior year of high school):
I love love love writing!
Over 10,000 words (oo-rah!) and it's only been 8 days!
Blah, blah, blah. I kind of want to punch my 17-year-old self in the face. Right now, the rough draft of FELL is much more like an insane roller coaster ride than a frolic through a meadow.
"I have a new idea! look at me!
It's going to be a bestseller and 
everyone who reads my blog is going 
to love it and my agent's going to love it
and I love it too!"
 "Hm. This new idea is not so great after all. 
Wait, do I actually have to think? Sweat? Try?
I think I'll read another book instead. 
Hey, look! The library!"
"This new idea is so not cool. And so out of control! 
I don't even know what's going on and 
I'm supposed to be the writer! 
CRISIS ALERT!"
 "#$%&!
Who's idea was this anyway?
This is a pile of crap!
Who would ever want to read it?
I don't even want to WRITE it!" 
"Brainstorm! This is brilliant again! 
I forgot how brilliant I am!
This story is a beautiful thing!"

Oh, and there's that one stage where you do anything possible to avoid the WIP, including drawing stick figures of angry faces with your mad computer graphics skills. Or is that just me?

Saturday, May 15, 2010

Summer Dining: Squash Soup

Dining? Cooking? What?

Yes, one of my hobbies is cooking. I cook obsessively over vacations: cookies, pies, soups, random dinners, cakes. I pull from Mark Bittman, NYT columnist and foodie; America's Test Kitchen's "Best Recipe" cookbook series; and of course Betty Crocker. That woman makes the best cream puffs ever.  Anyway, I've decided to post some of my favorite recipes throughout the summer, citing relevant sources and my own notes and experiments.

Last night I made squash soup: my own recipe. It's easy and fast and good (I'm eating leftovers for lunch as I write this). Also, it involves lots of simmering and waiting -- good times to ponder WIP ideas and scribble them down as they come. Writing and cooking go hand-in-hand for me; cooking gets my brain going.


Squash Soup
serves ~5

1 onion, chopped
12 oz. sausage, rolled into bite-size balls (although this could be a good vegetarian soup as well)
2 carrots, chopped
1 stalk of celery, chopped
1 box (~32oz) of Trader Joe's Organic Butternut Squash Soup
1 can of corn
1 can of black beans
1/2 cup of mushrooms (I use this Gourmet Mushroom Blend, from Costco, rehydrated with 1/2 red cooking wine)
2 tbs Herbes de Provence (also from Costco), or a similar blending of lavendar, sea salt, garlic, and rosemary. (If you're more of an Italian flavor kind of person, I think some basil, red pepper flakes, fennel, thyme, etc., would taste good, too. Or curry -- I was tempted to ditch the French spices and make it Indian-ish, but I was too afraid. Next time.)

Saute the chopped onion with about 1/2 tsp of oil in the bottom of a large soup pot. Once the onions start to caramelize, add the sausage. Make sure the sausage cooks thoroughly. Probably 10 minutes. Stir every now and then, not obsessively.

When the sausage is almost done, add the carrots and celery. Let all this saute over medium heat for about 10 minutes, stirring occasionally. Don't worry about browning the bottom of the pan. That stuff's good for flavor.

Once your carrots are softer (but not mushy!), add the butternut squash soup, corn, and beans. I drained the bean liquid into the sink, but added the corn liquid to the pot for flavor. Up to you. Also, add your mushrooms and the red wine (if you don't use the dried mushrooms, saute them with the onions). Stir it up. Then crumble up your spices in your palm before flavoring the soup liberally. It'll probably look like more than you need, but don't be afraid! As Alfredo from Ratatouille would say, "Get fancy with the spices!" Salt and pepper to taste.

Now it's easy: put a lid on the pot and let everything simmer on medium low heat for about 10 minutes, or until you've got a nice bubbly boil going. Chu-ching, there's your soup.

Friday, May 14, 2010

In Which My Sister and I Act Like Catching Fire Is Real. Because It Is.

After finally unearthing Catching Fire from one of my boxes of college stuff that's still cluttering my room, I gave it to my sister for her b-day. Or did she snatch it out of my hands? Hm, I don't remember.

Anyway, something profoundly distressing has happened since then. She's almost done with CF, so I just flopped on her bed to bug her a little and ask whether she's Team Peeta or Team Gale. I probably should have waited for her to finish ... talking to people who are reading the last few pages of a Suzanne Collins novel can be deadly.

But.

Although I was almost positive, like all of you who slyly sniggered behind your hands when I announced my Team-Peeta-ship after reading the first book, that my sister would be wholly and utterly devoted to TEAM GALE by the end of CF, she looked at me like I was crazy.

Sister: Team Gale? Uh, no.

Me: Wait, what?

Sister: I am not Team Gale.

Me: YOU HAVE READ THAT WHOLE BOOK AND YOU ARE NOT TEAM GALE?

Sister: Gale isn't even in this book.

Me: But Peeta is ... (implied: inexpressible emotional angst) AH! And Gale is SO in the book.

Sister: (implied: so over this argument and way more interested in the final pages of CF) Gale isn't even an option.

Me: GALE IS THE ONLY OPTION! HE KNOWS KATNISS! PEETA DOES NOT KNOW KATNISS!

Insert brief break in which she finishes CF. I return and barrage her with questions like WHAT DID YOU THINK? ARE YOU STILL TEAM PEETA?

Sister: Are you for real right now? 

Me: YES! (jumping up and down)

Sister: I don't even know what to say. I can't talk about this right now. I'm mad. Very mad. Like, I'm really angry. I AM REALLY ANGRY.

Me: (kind of laughing, but not really. more afraid.) Wait a second. Gale has known Katniss forever. He understands her.

Sister: So does Peeta.

Me: GALE LOVES HER.

Sister: SO DOES PEETA! Gale hasn't even been in the Games. He doesn't get it.

Me: GALE HAS SLAVED AWAY IN THE COAL MINES! He's a rebel! And she doesn't love Peeta! She's so fake around him! She loves Gale -- she might not know it but she loves Gale.

Sister: NO, SHE LOVES PEETA!

US: AH!

So then we declared a truce -- for a while. But, Ms. Collins, one of us is going to be very unhappy when we get our hands on Mockingjay. I really hope it isn't me.

Thursday, May 13, 2010

Follow-up to the genre post

Thanks for everyone's intriguing comments and thoughts on yesterday's post! I learned a lot from you all -- so much, actually, that here's a brief follow-up post.

contemporary fantasy?

A couple people brought up a genre that I hadn't heard of before (well, at least not enough to consider it seriously): contemporary fantasy. Wikipedia says that the contemporary fantasy genre consists of "stories set in the putative real world in contemporary times, in which magic and magical creatures exist, either living in the interstices of our world or leaking over from alternate worlds." Wow. It's exactly what I was looking for: something broader than "urban" and looser than paranormal romance.

or...not

Then, during last night's #yalitchat, I was talking to @sroluta about urban fantasy. We were both saying that we didn't want to mislabel our books UF if they were set rurally when someone named @jsmithready jumped in and mentioned that her adult books were sold through Pocket's Urban Fantasy line even though they were set in a small town, and also that some of Charlene Harris's books are marketed as UF and set in a small town, too.

So I'm concluding that urban fantasy can really go either way: it might more accurately describe urban/industrial settings, but can include rural ones as well. The contemporary fantasy genre is perhaps a way to play the genre-labelling game on the safe side if you're not sure.

bonus!

Also, I clicked on @jsmithready to see who she was, and discovered that she is Jeri Smith-Ready, author of newly released YA novel SHADE (Simon Pulse, May 4th)!!!!! And I totally saw her book the other day in B&N! I talked to a real live author on Twitter! And then (best part!) she said this:

WHOOHOO! Totally made my day.

Wednesday, May 12, 2010

A Debate: YA UF or YA PR?

If those acronyms don't make sense to you, here's today's question spelled out: What's the difference between young adult urban fantasy and young adult paranormal romance?

Basically, I have no idea. I've done some web research recently, including a blog poll, and no one else seems to know definitively, either. So here goes.

the problem

Not many non-writer types (aka normal people) seem to know what urban fantasy is. Every time I say I've written a YA UF novel, people look at me like I'm not speaking English. So I have this handy explanation that I give:
Urban fantasy is fantasy set in the real world. Kind of like Harry Potter -- there's magic, but it's (mostly) set in the real world. But my book isn't like Harry Potter.
(I always include that last part just in case people think I write about wizards and muggles, which I don't.)

But recently I stumbled across a post on Bree Despain's blog where she asked her readers to define the difference between UF and PR, and lots of people (maybe most) said that UF has to be set in a city. That was the defining factor, not that it was set in the real world. That got me confused, especially when I visited Wikipedia, which said:
Urban fantasy is a subset of fantasy defined by place; the fantastic narrative has an urban setting. [...] The prerequisite is that it must be primarily set in a city, rather than in a suburban or country setting, which have their own genre subsets.
Have I been defining my genre wrong? Is my book, The Inbetween, really UF since it's not set in a big city? Because it's definitely not PR -- according to its basic definition. Or is Wikipedia (and some of the writing community) wrong?

Or did I create a new genre? *insert tongue in cheek* *maybe*

the facts

The results from the blog poll last week looked like this:


If you can't read the tiny font (thanks, blogger), the urban fantasy definitions almost tied. 42% voted for the first definition (fantasy set in a city) and 58% voted for the second (fantasy set in the real world). The paranormal romance votes were more decisive. 70% voted for the first definition (romance between a human and non-human) while only 30% voted for the second (romance, not fantasy, is the focus). And I kind of meant the last option as a joke ... but apparently some of you still voted for it. Interesting.

 the discussion: PR

Basically, the definition of paranormal romance seems fairly closed to debate. Paranormal romance, as people usually think of it, involves "romance between a human and non-human (or any combination of that)": 16 votes compared to 7 votes for "romance, not fantasy, is the focus."

I'm not surprised at that result. You probably aren't either. We all think of Twilight and Shiver and Vampire Academy and Wicked Lovely and maybe even A Great and Terrible Beauty when we think of paranormal romances. But are we satisfied?

Wikipedia's article on paranormal romance is pretty vague. It includes references to time travel romance and space-y romance, and seems to side with the 7 people who voted that PR is a broader genre. But its cited books were from the 80s and 90s. Way out of date. What about the PR revolution that's sweeping YA?

I searched elsewhere. An article on Squidoo, "Your Guide to Paranormal Romance," digs into the meaning of the words themselves: paranormal "describes "any phenomenon that in one or more respects exceeds the limits of what is deemed physically possible according to current scientific assumptions." This seems to encompass something more like the second definition: something broader involving romance and the unexplainable/magical/etc, whether or not the characters are human/non-human.

Then I found something interesting on goodreads: YA paranormal romances "can include ghosts, time travel, psychic abilities, etc. Can include urban fantasy novels." Then my brain exploded.

But I had this idea. What if paranormal romance used to (and still could) include broader things like time travel -- or even plots where both the love interests were human, just tied up in some paranormal happening? What if YA lit's new paranormal romances have altered the "old" definition of the genre? Twilight, Shiver, and all the other popular PR novels we see at Barnes and Noble involve human/non-human romance. But what about A Great and Terrible Beauty, where Gemma and Kartik are human, but definitely caught up in a paranormal plot?

Are we satisfied with a narrowing of our definition of paranormal romance? Or is it getting too small? Is there more to paranormal romance?

more discussion: UF
 
Now for the other part of the poll: urban fantasy. These votes were closer. 10 people voted for the definition "fantasy set in a city, whether it's on planet earth or not," while 14 voted for "fantasy set in the real world/planet earth, whether it's a city or not." According to my handy calculator, that's 42% for the first, 58% for the second, close enough for some further discussion, especially since a few people spoke up in the comments...
  • Sandy said: "My definition of urban fantasy is stricter than the two options: it has to fantasy set in a city on earth."
  • MC Rogerson said: "Urban refers to the city, so why is this term associated with generic real world/fantasy crossovers regardless of setting? Is there an alternative, and if not, could we come up with a better one?"
  • And Inkspatters said, (reminding me of myself): "I don't really know what UF is...which is weird because I claimed to be an UF writer for a while."
Here's the thing. The term urban fantasy does denote a city/suburban setting ... but that seems too narrow. Too limited. What about such fantasies set in small towns or countrysides? Do we call those rural fantasies?  

See, The Inbetween doesn't match the narrow definition of urban fantasy: it's not set in a city. Nor does it fit the favored definition of paranormal romance. Sophie and Ian are both human, although the plot is paranormal. So... what's my genre?


I guess the bigger question is this: what are the boundaries for urban fantasy and paranormal romance? Are they broader and more cross-over than we think? Do we need to change the name of urban fantasy so it encompasses fantasies set in real-world small towns?

conclusions

I think urban fantasy has become a broad enough genre to include all sorts of fantasies set in the real world, whether or not they're set in a city. I also think that paranormal romance has recently become too narrow of a category. Vampires and werewolves and paranormal creatures aren't everything. As defined, "paranormal" includes a vast variety of magical and strange things. Strange things can happen to human couples, too.

Tuesday, May 11, 2010

Seattle, Summer, Home.

I am home! After a lovely road trip through California, Oregon, and Washington, with stops in Yosemite and the Oregon Coast, in which my dad and I took amazing pictures, hiked around Yosemite, rented ATVs on the Oregon Dunes, and became BFFs with our fearless GPS woman Ellen, I'm home.

My room is a disaster (think boxes, suitcases, and piles of clothes covering everything). My heart is a confusing mix of happy and sad (think tearful goodbyes to friends at school; joyous hellos to Dad, Mom, and Sister). And I'm trying to figure out how to fill up my summer (think...volunteering? job? babysitting? writing?). Also, I'm in the process of rewriting what I have of FELL so massively and drastically that it might not even be called FELL anymore (think dystopian, Seattle, REBELS).

So that's me. Thanks to everyone who voted on the poll about urban fantasy and paranormal romance. The tallies are SO CLOSE; It seems that most people have conflicting opinions, which will make for an interesting research post... stay tuned.

Okay, now I'm off to fill out applications, listen to Nickel Creek on repeat, obsess about FELL-dystopia, consider unpacking my boxes, possibly make cookies, and watch the latest Chuck episodes! A.k.a. act like a college student on summer break.

Tuesday, May 4, 2010

The Poll!

See this awesome new quiz across the top? (How can you miss it...?)

Anyway, please submit some answers. I'm doing heavy research (just can't get out of college mode!) for a post next week, and I'd love your input! If you want to say more, please comment. You have several days to answer, comment, and spread the word. I'll be back on Monday.

The question is: how would you define urban fantasy (UF) and paranormal romance (PR)? You can choose multiple answers -- just choose one each for UF and PR.

Teaser Tuesday

I know I said I was almost out of un-spoiler-y FELL teasers, but I guess I keep finding more. Here's the scene right after Birch invites Harley inside her apartment since he has nowhere else to go. The picture is the door of Birch's apartment building).

***

The oven timer beeps, breaking silence. I slide off the countertop to check the pizza.

Hands hugging a mug of hot water, Harley’s standing in the middle of the kitchen with dry socks, one of my over-sized shirts, and sweatpants. He could look ridiculous, since the sweatpants bob around his ankles, but somehow he pulls the outfit off with style. The too-small t-shirt helps. Although he’s skinny, he has a hot bod: definitely a six-pack and probably a really tan chest judging from his face. The loyal friend in me wants to call Ivy and brag/boast/rave about this boy, but knowing Ivy she’d kick him out and never let me ride the bus alone again.

A wallop of hot air rushes out of the oven when I open the door. The frozen pizza is crispy and golden now, pepperoni crunchy and cheese stringy. I lift it out, bang it onto the stovetop.

“You like pizza, right?”

Harley shrugs. “I’ll eat anything.”

“Should I cook another one?”

He looks at the linoleum floor, smiles, shrugs again. “Maybe. Yeah.”

Then silence swallows us up again as the pizza cools. I suppose there isn’t much to say. There’s more to wonder: what am I doing? What is he thinking? Why am I not afraid? I’m not; not really, at least. Whatever happened last night, he didn’t forget about me: he saved my life. And unlike Emery or Nolan, Harley keeps his hands off the pizza, feet off the couch, hands out of the fridge. I sneak one glance at him before going for a knife to cut the pizza, and he’s peeking at me out of the corner of his eye. That makes my heart jump up in my chest. He doesn’t look away when our eyes catch.

“What will your parents think?” he says.

They won't...need to know.”

So Harley picks up a slice. His eyes close. Mouth opens. And he devours. Inhales the whole pizza in probably four minutes without stopping to breathe. Emery and Nolan do this all the time, but with them it’s just because they’re boys. With Harley, it’s because he’s desperate. I stick another pizza in the oven.

“Thank you,” he says when he’s done. He sags against the counter and wipes his mouth with his sleeve. But his eyes jerk around the room, asking for more.

“The other one’ll be out in —”

But a smell singes the kitchen, faint and hot, and stops my words in my mouth. My eyes zip to the oven. I stumble back against the counter, adrenaline starting to explode in my brain and shoot into my limbs.
 
Run run —

“Harley,” I say, pressing one hand to my forehead. It’s sweaty.

Get out —

“Harley, the oven —”

Harley turns toward the oven, sees the smoke, grabs a hot pad and wrenches open the door. Smoke billows into the kitchen in cottony clouds, curls around the stove and reaches for the cupboards. I shrink back against the counter.

Get low, get out, call 911 —

Harley’s saying something as he closes the oven door. “No fire —” He waves the hot pad in the air and the smoke wafts toward me. I drop to the ground, hand over my mouth.

“Not toward me —”

“There’s no fire.” Harley throws the hot pad on the counter, turns around. “Birch?”

“Put it out.”

“There’s no fire.”

“Close the door.”

“It’s closed.”

“Get the smoke out — turn on the fan — I can’t breathe —”

Harley kneels next to me. His toes wriggle in his socks as he looks at me, crouched with his arms around his knees. “There’s no smoke.”

“There was smoke.”

“Yeah. It’s gone now.”

I rub my hand across my face, tangle it in my hair. The adrenaline seeps out of my pores and leaves me drained, shaky, nauseous. Like a fall leaf clinging to a tree.

“Are you okay?”

“Yeah.” I scoot away from him, get to my feet. He follows slower, eyebrows pinched together into an almost-unibrow.

“Are you sure?”

“Yes. I’m — never mind. Get the pizza out when the timer goes off.” Without looking at him again, I slip out of the kitchen. I don’t know what happened, what screw jiggled loose in my head after the fire, or what I can do to fix it. I can’t stop my reactions. There’s nothing to do except obey my screaming brain and duck and cover. And now Harley thinks I’m — crazy. In my room, I close the door and sag against it. My head’s throbbing and my face is all wet. I swipe at my tears. He’ll probably leave — and his leaving would be for the best. Then I wouldn’t have to deal with Mom, Ivy, and my conscious, since all three are urging me, no, Bee, this is stupid.

Then someone knocks on the door, one-two-three-four. “Birch?” It’s Harley. His voice is soft, like he’s whispering to a child, trying to comfort her and coax her out of hiding.

I sniff and swallow a few times. “What?”

“I’m — going to go now.”

My eyes snap open. On the floor, in the line of light showing beneath the door, I can see the shadows of his feet — he’s put his hiking boots back on.

“But thank you for the dinner. I — I won’t forget that.”

I hug my arms to my chest, new tears rolling down my cheeks. He won’t come back. But I want to know what could happen if he stayed, if we — I fling open the door. “Wait. Don’t go.”

Already halfway down the hall, Harley glances back. “I should,” he says, looking at the floor.

“I’m sorry about what happened in the kitchen.”

Harley’s eyes jump up to me. “It’s not because of that. I just shouldn’t be here.”

“It’s cold and rainy out there.”

Harley smiles a little. “I’m used to that.”

“Can I convince you to stay?” 

“Why do you want me here?”

I swallow. “Because you have nowhere else to go.”

“I have the doorway.”

Why is this boy so stubborn? I almost stomp my foot. “No.”

“What?”

“I won’t let you sleep in that doorway,” I say. I swear a smile crinkles around his eyes. He combs one hand through his hair, sticking it straight up. It looks golden in the hall light. “It’s dark and wet and cold and you might get arrested. Or attacked.”

“I’m almost convinced,” he says, that smile hanging around his eyes and touching his mouth.

Then the front door rattles. Mom.

Monday, May 3, 2010

Your Summer Reading List

Since this is finals week, and I'm leaving on a homeward-bound road trip on Wednesday, posting will be brief this week. But don't worry, I have a few fun things planned, including a poll on Wednesday that'll be used in a big post the following week... WHICH IS SUMMER! ... which is why today's post isn't quite so random as it might seem, even though it's only the beginning of May. *Wow, that was a really rambling sentence. Can you tell it's finals week?

Summer is a notoriously lazy season: sunshine, beaches, lemonade, slow purple twilights, backyard barbecues, and long lists of things to do. So much time to do them, right? Actually, I always get to the end of summer and think, how is it already over and why is my list only half-finished? But it's still good to set goals. Here's a start ...

What's your summer reading list? Are you tackling the classics? Those dusty volumes of poetry in your basement that you've always wanted to read? Or are you itching to fall into some Sarah-Dessen-ish summer beach fling? 

Here's mine. It's a work in progress, like many things in my life...

The Hot Hits:
  • Linger (July)
  • Mockingjay (August)
The Classics
  • Catcher in the Rye (because, sad to admit, I've never read it)
  • Something Steinbeck -- either East of Eden or Tortilla Flats
The YA Scene
  • Beautiful Creatures
  • The Dark Divine
  • Graceling
  • Incarceron
  • The WAKE series
  • The Secret Year
  • The Six Rules of Maybe
My Old Faves
  • Bill Bergson, Master Detective
  • The Voyage of the Dawn Treader
  • Agatha Christie

Anything I should add? I'm quite open to suggestions ... the summer seems so fill-able right now!